Self-proclaimed Web3 evangelist and entrepreneur Briar Prestidge says that discussing the Metaverse today is akin to discussing the Internet in the 1990s. Prestidge says many people could not comprehend how the Internet would evolve and transform how we live, work, learn and socialize.카지노사이트

To prove her point, Prestidge locked herself into a hotel room with one camera crew; and for 48 hours she immersed herself in virtual reality (VR) across metaverse platforms visting 33 different metaverse worlds. In her travels, she also interviewed 21 metaverse and VR creators, including a human behaviorist, who offered insights into the Metaverse’s ethics, behaviors, drivers and applications. The result is a 50-minute docu-film, 48 hours in the Metaverse, giving viewers a taste of what the Metaverse can do and make you feel.

“The Metaverse is currently in its nascent stages, rapidly evolving from gaming environments such as Fortnite and Roblox to having profound business implications, said Prestidge. “

“With the growth of NFTs, cryptocurrencies and the development of interoperability such as ReadyPlayerMe’s avatars across various metaverses has opened a score of business opportunities in terms of products, services, processes, as well as customer and employee experiences,” added Prestidge.

Prestidge is no stranger to some of those services. She created a line of NFT Powersuits for women in Decentraland earlier this year in 2o22.

Prestidge believes the Metaverse offers something that the Internet has yet to do – experience ourselves as entirely different identities than who we are in real life.

By 2026, Gartner estimates that 25% of people will spend at least one hour a day in a metaverse. A recent study found that one-third of U.S. adults fear the Metaverse and what it offers rather than viewing it as a positive development. An additional 58 % felt they needed to learn more about the Metaverse or how it works to have an opinion.

“No one knows precisely what the metaverse will entail or become, but VR creators and monetizers are starting to form some ideas,” said Prestidge.

Prestidge ‘stopped by’ Nikeland in the Roblox metaverse which has 21 million visitors. “To Gen Z and Alpha, what’s happening in the Metaverse is as vital to them as real life. They may skip over what we know as social media and go straight to the Metaverse instead.”

Awareness

To anticipate and potentially avoid some of the ethical, social and economic pitfalls of the Metaverse and identify ways in which the Metaverse can help solve real-life problems. Prestidge says the industry needs to start a broader dialogue with consumers, investors, businesses, scientists, teachers, healthcare providers and lawmakers instead of waiting until the technology has already been fully rolled out.

Prestidge hopes the documentary will open up conversations about climate change, social interactions and women’s issues.

“How the Metaverse help address climate change by reducing the consumption of valuable resources by purchasing NFTs instead of spending thousands of dollars and wasting water, energy, and other natural resources to produce and manufacture luxury goods and other unessential items?” said Prestidge. “Will the ability to interact in VR with others around the world increase our ability to empathize with others, or as we have seen with social media, will it increase isolation and lessen our ability to interact with real people with civility even if we disagree on core issues. These are some of the questions I believe need to be addressed.” 바카라사이트

Prestidge says her experience illustrates that the desire for community drives the Metaverse. “There is a massive misconception that the metaverse is technology, but it’s more about how we interact with technology. It’s about community and having an immersive, shared experience,” said Prestidge.

“It allows people to be interconnected across the world [..], and the Metaverse gives people a better opportunity to communicate and interact with those far away,” said Prestidge. “Social media [..] is not social anymore – it is more about likes and endless scrolling than connecting and socializing with each other.”

“As we have recently seen on Twitter, social media has become more about divisiveness and incivility rather than finding a place where you feel a sense of belonging and connection to others,” added Prestidge.

“We can only address such questions if we fundamentally understand what the Metaverse is and possess a basic knowledge of how it works,” said Prestidge.

Prestige says that we can not fully understand the true power and potential of VR and Metaverse platforms unless the average person experiences it for themselves and starts asking crucial questions about how it can be used to solve complex problems and the underlying ethical, legal, logistical, and social issues associated with it.

In one of the Metaverse worlds in the documentary, Prestige visited Microsoft’s re-creation of the riots that took place at New York City’s Stonewall Inn in 1969, explored the digital twin of the Dubai Expo 2020 Al Wasl Dome, and explored the Uluru Kata National Park for the United Nations Day of Social Justice.

“All of these experiences add not only to our understanding of human history and unique cultural experiences but also enhance our involvement with each other and what it means to be part of a community,” said Prestige.

Community

Prestidge believes the Metaverse can help with creating a sense of global community from boosting women’s safety and inclusion to encouraging a focus on mental health.

“What if those who had a vested interest in women’s rights, for example, could meet at a virtual cafe weekly to discuss issues of common concern, such as reproductive rights?” said Prestidge. “Drawing on the different experiences and challenges women face around the globe and how they have worked to address them would provide hope and practical advice and counsel to others in the group, no matter where they live.

“We already see this taking place in the Metaverse at the Foremothers Cafe, the world’s first VR cafe based on a historic 19th-century novel Sour Milk in Sheep’s Wool bringing together women to discuss feminist issues,” adds Prestidge.

In healthcare, Rocket Health launched a series of VR studies to explore effective ways to treat mental health issues by working directly with board-certified health professionals and hospitals.

In the 48 Hours in the Metaverse documentary, Prestidge spoke with Heather Bucalos, a nurse and a two-time cancer survivor. Bucalos used VR during her stem cell treatment to help her cope with pain by offering her a tranquil environment that allowed her to meditate and practice pain management tips in real time.

“The ability to see, hear, and even smell the beach, waves, and salty air in VR made it much easier for Heather to get into her meditative state more quickly to allow for faster and more effective pain relief, said Prestidge. “RocketHealth VR also offers chronically ill patients the opportunity to engage in guided live support groups to share a common experience wherever they live and provide the mental health, spiritual support and deep relationships that have proven essential for severely ill patients’ survival.” 온라인카지노

There’s a scene towards the end of Selena Gomez’s new documentary Selena Gomez: My Mind & Me where the pop star asks “What am I doing?” with genuine bewilderment and is instantly told all the things she needs to do for the day. Only, Selena has muttered this in her sleep and has no idea what’s happening when she comes out of her haze. That scene alone underlines the purpose of Alek Keshishian’s AppleTV+ documentary Selena Gomez: My Mind & Me, a lean 90-minute feature that feels less like your typical pop star PR vehicle and more like an honest look at the grueling life of a pop stardom.카지노사이트

Following the success of other musician-focused documentaries like those about Lady Gaga, Taylor Swift, and Billie Eilish, My Mind & Me might feel like yet another addition to a slate of formulaic star-broadening vehicles. But it is important to note that director Keshishian practically pioneered the genre itself when he directed the famed Madonna documentary Madonna: Truth and Dare in 1991. So it is unsurprising that it becomes apparent in the first ten minutes of My Mind & Me just how no-holds-barred this documentary’s approach will be.

‘Selena Gomez: My Mind & Me’ Is Ruthlessly Honest

From the very beginning of this documentary, we are shown just how ruthlessly honest the project’s storytelling will be. Selena Gomez tears herself down, criticizing everything about herself from her looks to her performance and her social standing. The somber scene sets the tone for the rest of the raw documentary, which details Gomez’s difficulties with mental health such as her battle against depression and bipolar disorder. Further complicating things is her lupus which flares up in 2020 and is painfully captured on screen, demonstrating how tough living with that autoimmune disease can be.

How Is ‘Selena Gomez: My Mind & Me’ Different From Other Musician Documentaries?

What sets the documentary apart is just how frank the film is about the world Selena Gomez inhabits and her own duality. We see moments of Gomez tearing every facet of herself down juxtaposed with her going up on stage to perform her self-love anthem “Who Says.” We see Gomez being both reluctant to take her meds, and then subsequently arguing with her friend when her friend suggests that Selena’s not doing as much as she should. Time and time again we see Gomez being remorseful about some of her actions and wanting to do better. All of this makes for a richly layered documentary where we (whilst constantly being sympathetic) come to understand Gomez in a more raw and honest way. The documentary successfully fleshes out a dynamic, multi-layered look at Selena Gomez’s narrative and by the end of the movie it’s easy to walk out with both understanding and admiration.

‘Selena Gomez: My Mind & Me’ Is Not Pop Star PR

Selena Gomez: My Mind & Me feels less like pop star PR and more like someone’s account of their battle with life-threatening mental and physical illnesses – and for that it is all the more rewarding. As the film edifies, Gomez’s incredibly tough experiences make the shallowness of pop stardom and all that comes with it all the more glaring. While documentaries like Miss Americana have explored the pressures of the media on celebrities, My Mind & Me goes one step further, exposing the misogynistic bent of the questioning hurled at stars as well as the surface-level absurdity of the media circus. Throughout the documentary we see Gomez longing for real connections. She wants to talk about important things that matter and, as she rightly points out after a particularly ludicrous interview, anything other than that is all a waste of time.바카라사이트

Partly because the documentary is so sharply focused on Selena Gomez’s mental health struggles, there isn’t much time spent on her relationship with pop star Justin Bieber. The aftermath of their failed relationship, though, is on display. As her friend Raquelle Stevens accounts, Gomez goes through a psychotic break for which she was placed in a treatment facility. Her bipolar disorder is undiagnosed until this happens. She is put on a host of medications that wreak havoc on her body and leave her as a shell of a person. Despite this previous romantic relationship not being a focal point of the film, there is a sense of that it haunts Selena. Particularly in how we get to see the creation of her Billboard Number 1 hit “Lose You To Love Me.” Another lingering, yet not directly talked about aspect of her time is her tenure as a Disney starlet. Selena Gomez rose to fame on the Disney Channel hit Wizards of Waverly Place comedy series and went on to produce music for the mouse house. Yet, there’s clearly a lot of baggage that came with that experience and, as Gomez opines after a French interview where she feels unheard and dismissed, she feels like “a product” – something that triggers her because of her time working as a child star for Disney.

In stories where one is trying to capture the good in things, there is often a challenge of creating something that feels too cheesy. We have become so used to insincerity and duplicity from all the public figures we know that showing that someone is actually trying to do some positive things in the world is a hard pill to swallow. So all of Gomez’s philanthropic efforts and her life-changing visit to Kenya in lesser hands could have come across as disingenuous and solely put in the documentary to paint her as a saint. Yet, Keshishian masterfully interweaves Gomez’s personal arc and makes a case for human empathy. Why wouldn’t Gomez be moved by stories of suicide ideation and the idea of there being more to life than fluff when Gomez herself has walked through those exact things? Despite her platform, the director distills Gomez’s struggles with a need for human connection and a yearning to do something that actually matters – something that a lot of us can relate to.

Fittingly, there’s no triumphant conclusion to this story. Gomez doesn’t close the doc with an olive wreath around her head, having learned all that there is to know about life. Instead, the documentary makes it clear how Gomez hasn’t completely overcome her mental health struggles, but has found a purpose. By the end, Gomez knows what she is doing here, both as a pop starlet and, more importantly, as a philanthropist.온라인카지노